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>>48347
Dear John,
did you know that Muzak Corporation has not only made elevator music, but also the production and distribution of background music to enhance performance in the workplace?
The key here is "Stimulus Progression," a technique of subconsciously stimulating the listener through 15-minute blocks of music that vary in tempo, rhythm, sound and instrumentation, each followed by 15-minute breaks. Dan O'Neill, Muzak's chief programmer for many years, published the Muzak Programming & Stimulus Charts in 1956, diagrams of stimulating sound patterns on which the concept of performance-enhancing background music is based. In 1937, British industrial psychologists confirmed the performance-enhancing effect of music in the workplace, provided it is produced according to certain psychological criteria.
The decisive factor for the desired effect is that functional music is not perceived consciously, must not attract attention, and on the other hand its use must be precisely dosed and controlled in order to eliminate neutralizing habituation phenomena. Muzak operates in volume at the threshold of hearing, is not to be heard, but perceived. The music is quiet, pleasant, works with familiar melodies and harmonies, without singing voices. Its manufacturers offer different programs depending on the intended use, the playback frequency of which depends on the intended effect.
When this boring dystopia is finally over and we have usurped world domination, we should let the music play everywhere.
John